“One desk for stills and film. We did not referee two vendors.”
Chiara B. · Producer
Recce the quay. Hold one white. Do not invent a postcard Adriatic.
Coastview produces commercial photography and motion from Trieste. The still and the film share a recce so a campaign does not split in public between a lookbook that looks like noon and a cut that looks like sunset.
The rooms on Via San Nicolò hold tabletop, a compact cyclorama, and a colour desk. Clients sit with tethered stills and a calibrated monitor in one visit. Product and grade are not two cities apart.
Location days stay on the harbour stone we recce first. Bounce and a quiet key match the overcast; we do not gel a false Adriatic. If the weather turns, we wait or we rewrite the shot, we do not invent the hour in the suite.
Agencies come with a media plan. We name masters for print, 1:1, and 9:16, keep a working project for the revision window, and hand an archive another team can open a year later without a private naming scheme.
People
A core crew that travels. Local support when the story needs it. Finishing stays in Trieste.
Director
Stills
Colour
Producer
Milestones
2017 Practice opens in Trieste
2019 Motion and stills share one plot
2021 Finishing suite on the same floor
2023 European location unit
2025 Expanded tabletop and grade desk
Clients
“The room looks like the hour we stood in it.”
Paolo M. · Hotel brand
“Control frames and a LUT. I finished Trieste; I did not invent it.”
Francesca L. · Retoucher
Tabletop, a small cyclorama, and a colour-managed finishing desk at Via San Nicolò 12, Trieste. Tethered stills and a calibrated monitor in one visit so a pack shot and a film pull are decided in the same room.
See the studio